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The Kids Dig It

by Fast Eddie Music Conspiracy

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1.
He's gone and joined the new race He's done for, losing grace Losing face, just to get by It all depends on your dependencies Your proclivity or tendency To dispose of your independence For the shallows and the deep end Push becomes shove becomes bump becomes boot after boot after boot but it ain't quite kickin' Clicking in Checking out Getting on Getting off Figure it out yourself Checking in Checking out Sinking in Getting out Getting off of it
2.
3.
6 East 05:38
I cannot feel, for the constant medication Always, I do not live with insincere dedication, maybe I try to learn from my daily trepidations So that I may find peace for some solemn meditation Always hurry up and wait for no one, hurry up and wait for nothing. You do not see all the stirred up complications Because you only work with the given information It was you all along, in a clinical observation, before You found a clue without any investigation So you hurry up and wait for no one, hurry up and wait for nothing. "They" are the cause of our past and future fighting Because "They" made the maze and the traps and bits we're biting So that we do not see all the knowledge you are finding "They" are we, we are "They" - you and I forever minding, no more Hurry up and wait...
4.
Automatic 04:56
I am the living, guaranteed market and target disguised for sinister phrenology reversed - they go in through your eyes Someone has to stop the cycle Something has to break the chain Of endless automatic déjà vu Preprogramming you frame by frame I am the sinusoidal line that reels you in, that brought you here as architects of paradigms install in you what seems sincere And all that you have ever known or felt or thought or overcome has polished bones of corporate chrome and you think you're the only one
5.
Intoxicated by this raw nerve, compelled beyond reason to touch Repeated drilling into wind spits the willing, molding fillings from dust Consumed and cocooned and consumed by cotton and candy corroding the crown Patience dissolves like the sugar that rots the teeth falling out of my empty head Intoxicated by this raw nerve, compelled beyond reason to touch Repeated drilling into wind, spitting fillings molding will into dust Forging a flavorless, faceless facsimile feeding the fascist within Perception dissolves into sugar that rots the teeth falling out of my empty head When I say "pain," you say "more"... We need a root canal
6.
Please 05:29
Would you please tell me to paint on this smile? Long time I've waited here, in this quiet disguise Dead stopped in motion, my life for your eyes Seeing the smiles and seeing the faces with no one inside The child inside has grown Become a bigger baby This pain is not his own But he's the one to face it Could someone tell me? I've not had the time I'm sick of waiting here, in this life I despise Just sitting in wait to find the answer...
7.
Rev E 06:32
How can you say you don't believe? Just because you don't believe in me, in you, in anything Still you find a center around the familiar Putting up walls with no windows or doors a pressurized room with cracked paint on the floor The deafening emptiness of ignorance How can you go on so openly? So openly alone in your sensitive community Leaving the humanoid trapped in humanity blinded and crawling, repeating the tragedy Pulling the same strings again and again separate songs that share the same end
8.
Monstrosity 07:09
9.
Wearing the scars of the city so fresh they still bleed on stainless skin, from seam to shining seam, a mass of gears and greed this luminous fortune stills the dream american So feed the fires of the empire the souls of those to come on stainless skin, from seam to shining seam, green is just a memory this manifest industry kills the dream american so don't look so surprised at your machine's design in the name of knowledge in the name of progress in the name of the machine is the shape of the machine will be the end of the machine
10.
End Credits 06:21

about

as the end credits roll backward toward the beginning of the end, the opening shot reveals in the first few frames the details to decode the final dissolve… inspiration, perversion and corruption conspire to pollute and inspire... to breathe within without among and between... to break, to brake, to destroy destructive patterns, to slow down… reflection, recollection, recreation, recognition, re-evolution, realization...

the realization that maybe you're a cog caught up in some crazy machine, pledging allegiance in the name of the machine willingly or unwillingly feeding the fires of the empire, contributing to man's arrogant battle against nature and man finding ways to impose his will upon nature and man, in doing so, loses his humanity and becomes more insect-like, living and working in service of the hive...

kafka was on to something, he understood the grave consequences of this all-consuming alchemy, as did mary w. shelley... dr. frankenstein as prometheus as modern man as prometheus, and his creation plays the role of the golem/adam (yhvh made adam from dust) as well as modern man and his effects on his environment... a man-made monstrosity, self-replicating, creating chaos and destruction in its wake...

awakened by the nightmare and horror of humanity, you take a deep breath and recognize it as the living spirit breathing within and around all... and realize all is not chaos and destruction, all is beauty, creation and destruction... and revere the beauty and light residing in all... only to repeat the tragedy when time, forgetfulness and spiteful pettiness corrupt the quest and reverence becomes anathema...

any thoughts or reflections are now turned inward and kept hidden, but you look in the mirror and ask, "would you please help me to paint on this smile?" because you have to protect and project the image, the illusion of happiness... playing pretend to placate the passive masses grazing plastic pastures... how does this help us grow? not wise, but bored and angry...

so the sickening sweet has you chewing through your cheek and grinding your teeth down to the nerves, yet you keep gnawing away... to make matters worse, you suck down the sugar and saccharine you're constantly spoonfed to assist the eroding and corroding of your mouth and mind... but now you've become addicted to the pain and a mere root canal cannot satiate your dolorous desires, so you clench your jaw so much that you reward yourself with a case of self-inflicted tmj, everytime you feel that pop! you fall into a paradise of pain and for that fleeting moment you're alive...

otherwise, you're mostly dead inside... maybe because you have lived your whole life with the suspicion that you're the subject of some experiment, the target of market researchers evaluating and calculating your every move... bombarded with images of what you need, want, must have, until volition becomes automatic response to stimuli and all you truly feel any more is alienation...

possibly ending up in a place like 6 east... a route, a direction,a destination, an intersection of good intention and questionable execution, a collision of competing conflicts, a cross-section of conspiracies both real and imagined, as if there really is a difference... and again you're faced with the difficulty of distinguishing between objectivity and subjectivity until you figure out there really is no difference...

truth and fiction, fact and fantasy weaving within one another, coiling in spirals of shadow and light... standing at the edge of the abyss, you stare into the darkness of the void until you see the light within and witness the instantaneous dance of creation and destruction at the quantum level, the union of infinite and infinitesimal...

awed by the complexity and confusion of your abysmal enlightenment, the revelation of your transformation and alteration, a tear forms only to be wiped away by the sole of someone's shoe and a harsh reality kicks in literally... orwell understood too well, whether to be the foot or the face, to step lightly or stomp heavily, all the grand metaphors are reduced to a boot to the head...

credits

released October 11, 2005

All songs written, performed and ℗&© 2005 by fast eddie music conspiracy, produced by fast eddie music conspiracy and Ryan Cullen, recorded and mixed by Ryan Cullen. Additional vocals on tracks 9 and 10 by Ryan and Janelle, additional percussion on tracks 2 and 9 by Ryan. Art assistance by Jason Caddell, Bill Colgrove and Matt Cummins.

Historical photographs: Library of Congress, Prints & Photographs Division, FSA-OWI Collection, LC-USF33-T01-000234-M2 DLC and LC-USF33-011223-MI DLC.

Thanks to Ryan and his various dwellings, Mike Potter and Orion Sound Studios, Dingleberry Dynasty, Mike Keneally and Bryan Beller, Frank Marchand and Waterford Digital, Mudshark, The Penthouse and crew, Skeleton Key, Trephine, the Jepetto guys and Estradasphere for indulging us musically. Special thanks to our families (especially Brigid and Janelle) for their faith and support and to Steve Kaeser and Kelly Thomas for their generous contributions to the cause. Props to the moshing hippies, the spinning meatheads and everyone else who listens. Peace.

Jonesy (6-string & upright bass) uses Zon, Brubaker, Ampeg and Kay.
Kirby (drums/percussion/vocals) uses Ludwig drums, Zildjian cymbals, Remo heads and Promark sticks. Thanks to Darren Z at Chuck Levin's, Bay Tunes and Acousticopia.
Jeremy Reichwein (guitars/vocals) users Barber Electronics' burn unit and tone pump, Fender amps, Mesa cabinets, Taylor acoustic guitars and custom electric guitars.
The Durst (keyboards) uses Hammond, Kurzweil and Yamaha keyboards.

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Fast Eddie Music Conspiracy Annapolis, Maryland

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